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'ms. skidd is elsewhere.
because she is never finished
she puts everything in a suitcase,
a metal lunchbox.
so 2nd Movement: Opus I Diabolus In Musica
becomes a migration of the intensities.
something which does not
and will not let itself be recoded.
it makes a large circuit - a system of gestures.'
isadora

I got so mad
when I died in a balloon with all my hope
there were people
blanketing the earth like placemats
I loved those people
they were wheat to me
they sustained me
but I couldn’t show it
I was so mad and I died
it’s not normal for a human
to be contained in a basket
aloft in blank air like water in a red cup
I took the shape
of mydeath and myanger
there was no forgiveness
there were all of these clouds
stratocumulus cumulonimbus
I punched them
they were some pieces of water
I looked down
at all the people
they were units
they shifted around
they clumped up
into little factions
there was no way to join them from the balloon
I couldn’t hear a thing
not a gull and not a mosquito
nothing would become of me now
I was learning like a machine
I installed my face in the basket
started chewing
I chewed the air
until there wasn’t enough to still name it
I ate up the earth
ate up those people
and then I was nowhere
and
they could not save me

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from 1n​+​r​ø​d​µ​k​+​1​ø​n: +ø §Y​§​+​(​3​)​m§ øf §​ø​µ​nd§, released September 25, 2010

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1§ÅᗬØᖆᗗ ᗬ:µ:§+ᘻ1+(∑) ᖌ:µ:ᙉkᐉ image

1§ÅᗬØᖆᗗ ᗬ:µ:§+ᘻ1+(∑) ᖌ:µ:ᙉkᐉ

'we are no longer ourselves.
wildchildren of the amourfou.
we leave ourhomes,
embodying renounced things,
to experience all possible joys.
(although each of us was several
- we remain relatively unknown)
making use of everything,
to make ourselves unrecognizable.
exploring oursubterranean bodies
- these nomadic archeologies that smash all idols.' ... more

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